1097: Assimilation (s.s.w.2) Dec 10, 2017
1096: Defining Syllables: the MOP and SSP (s.s.w.1) Dec 9, 2017
There are two principles that allow people to determine how a word is broken up into syllables, at least generally in English. First, there is the Sonority Sequencing Principle (SSP) which was discussed here last week, and then there is the Maximum Onset Principle (MOP). Simply put, the MOP states that, between vowels, consonants are assigned to be the onset i.e. it is the first part of a syllable along with the vowel it precedes. It is for this reason that it has been found that people will almost certainly divide tatatata... as ta•ta•ta•ta... as opposed to tat•at•at•at.... Nevertheless, there are language-specific constraints on this, which is why syllables can end in consonants, because, according to the SSP, if a phoneme's sonority (how loud it is) falls between what is immediately lower in sonority (possibly the onset: optional) and what is higher in sonority (possibly the nucleus, usually a vowel), or vice versa (meaning the final phoneme is possible a coda: optional) that phoneme will not be part of a new syllable. If that is confusing, there is a graphic from bluelook.net that should hopefully clear up what those peaks and valleys look like in syllables, but also this will be explained further in the next few days.
1095: Dropping Fricatives if e'er They're in the Middle Dec 8, 2017
People who have studied literature are probably familiar with the form of 'e'er' for 'ever', or other examples—particularly in poetry—where the fricative (usually [v]) is dropped from the middle of a word. This can be seen repeatedly in the first four lines of An EPITAPH by Joseph Giles(*):
If e'er sharp sorrow from thine eyes did flow,
If e'er thy bosom felt another's woe,
If e'er fair beauty's charms thy heart did prove,
If e'er the offspring of thy virtuous love...
By the eighteenth century, this was fairly common in poetry, though not as popular in everyday speech. What was becoming more common at that time was to drop a fricative from the contracted forms, so 'isn't' might become 'in't', which is still used by some people as an alternative form of 'ain't, but also this occurred with 'wasn't and 'hasn't' and many other words. As is always the case with the evolution of language, it was faced with some protest, but there are still some traces today.
Tomorrow is the 3-year anniversary of Word Facts, and the start of a week of posts covering syllables and stresses.
(*) A Collection of Poems in Six Volumes. By Several Hands. Vol. V. London: printed by J. Hughs, for R. and J. Dodsley, 1763 [1st ed. 1758], pp. 92-93. 6v.: music; 8⁰. (ESTC T131163; OTA K104099.005). Retrieved from http://www.eighteenthcenturypoetry.org
1094: Isopsephy Dec 7, 2017
1093: Negative Forms with Distinct Pronunciations Dec 6, 2017
1092: Trilling: ɾ (pot of tea and para ti) Dec 5, 2017
1091: Allophones (Articulation) Dec 4, 2017
As discussed yesterday, if a phoneme consistently morphs into a different sound in a consistent phonetic context, this means that the sound which it becomes is an 'allophone'. Another example from English that was not looked at yesterday was that the glottal stop [ʔ] and the tap [ɾ] are considered allophones of [t] because they appear as the onset for certain syllables (which will be discussed specifically during Word Facts' Syllable and Stress Week starting December 9th) such as in 'butter': [bʊɾɚ] in Standard American English and [bʊʔə] in some northern dialects of British English. There all should make sense as allophones, as they all (including the examples from yesterday) share the same manner of articulation (row on the chart below) or place of articulation (column on the chart below).
It may sound odd at first, but in kiSwahili, [d] as in 'delta' is considered an allophone of [l] as in 'lima'. This is because, before an [n], [l] becomes a [d], such as in 'ulimi' meaning 'language' or 'message', which, when pluralized with 'n-' becomes 'ndimi'. Not only that, but also [l] and [d] share the same manner of articulation.
1090: Allophones (Definition) Dec 2, 2017
1089: Unstable Vowels Dec 2, 2017
1088: Untranslatable Colors Dec 1, 2017
1087: S-Selection (Grammatical but Nonsensical) Nov 30, 2017
1086: Sonority and Syllables Nov 29, 2017
1085: Determiners are not Adjectives Nov 28, 2017
1084: Yiddish and German Nov 27, 2017
*http://yiddish.biz/
1083: dinner Nov 26, 2017
1082: Telic and Ateilic Verbs Nov 25, 2017
1081: Reported Speech Overview Nov 24, 2017
1080: Salient Variables Nov 23, 2017
1079: Cooperative Principles Nov 22, 2017
Speaker 1: "how's the weather?"
Speaker 2: "I like cats"
Next, there is the maxim of quality, which states that people cooperating in a conversation would tell what they believe is truthful. To lie would violate this maxim. For the following two maxims, there is some overlap. The maxim of quantity posits that people try to be as brief as they can, and the maxim of manner states that people will try to be as clear as they can—which could entail being brief—but also stating things in a way that is, for instance, chronological and grammatical. If you wanted to be annoying and confusing, you could try throwing in an irrelevant, long-winded, and unclearly stated lie into your conversation, but this also works for some jokes, such as
"In which battle did Davy Crockett die?"..."his last one", which does not violate the maxim of quality, but could be said to break the maxim of relevance, arguably.